![]() ![]() He’s absolutely right, “Playing something on your guitar is one thing but actually understanding it is a whole other thing.” (00:14)Learning to Play Scales(01:03)Playing in G Major(03:47)Introducing the Closed Position(06:40)Learn the roots and improvise (12:11)How to Use the Upper and Vocal Range?(13:25)Playing the Fretboard in Other Perspective(15:35)Fixing the Gap in E Minor Tune in now, and learn the easiest way to memorize your fretboard! In today’s episode of Steve Stine Guitar Podcasts, I’m going to try and give you some simple ideas to try and build scale shapes on your fretboard. Having quick, efficient ways to navigate and memorize your fretboard is essential for becoming a better player. The Fretboard is a huge part of the guitar. (00:02) Relative Major Versus Relative Minor(01:53 )Interval as the Distances Between Notes(04:16 )Reinitializing the Key of G to Be Like the Key of C(04:52) Positioning the Major Keys(07:32) What Is a Relative Minor?(10:19) Understanding the Idea of Modes(10:47) Familiarizing the Dorian Keys ![]() In today’s episode of Steve Stine Guitar Podcasts, I’m going to talk about simple scale and chord theory for guitar.Ĭurious about how chords are made? Tune in now and check out this new episode! Be optimistic and keep practicing! The theory of guitar chords includes how scales are used to create chords as well as the various quality and types based on the intervals of the chord tones and the frequency of notes used to create each chord. Check out Steve's Guitar Membership and Courses: Satriani - Always With Me, Always With You (00:41) Chord Chasing(03:33) Caged Cording System(07:01) Two Camps of Players(07:53 ) Chord Connection and Repetition(10:56) Improvisation to Extracting Ideas Tune in now and Remember the more you do this, the better you get at it! He also encourages students to learn theory and practice techniques so they can improve their improvisation skills. In today’s episode of Steve Stine Guitar Podcasts, Steve discusses how to play solos by visualizing chords and melodies on the fretboard. Learning each scale position is a good way to learn how to solo because it breaks down the neck into chunks rather than mapping out the entire scale. It can also be used to play major scales in any position, using five different patterns. The CAGED System is not limited to chords. The system allows for twelve major chords and their variations to be played in up to five different positions on the neck, using only these five shapes. The CAGED System uses the five shapes of open-position chords-C, A, G, E and D-to make all other barre chords. (00:25) The Arm Angle in Holding A Guitar(01:09) Three Things to Remember About Barre Chords(02:50) Which Is Easier to Use Electric or Acoustic Guitar?(04:11) Approches in Making the Barre Chord(06:47) Common Problems of Finger Positioning (07:20) Adjustments That Needs to Be Adressed(10:11) Start Practicing at the Easiest WayLinks: Want to learn about the easy ways to play your barre chord? Tune in now and check out this new episode! Take care, stay positive, and keep practicing! Often, the angle of your wrist and your elbow can have a big impact on the ability to play effective Barre Chords, so hopefully this will help you! In today’s episode of Steve Stine Guitar Podcasts, we are looking at 3 ways to make your Barre Chords easier to play and execute. Thus holding the strings all at once make the guitarists frustrated but learning it will definitely be worth it. Learning the Barre Chords the first time is difficult. Check out Steve's Guitar Membership and Courses: (02:06) Building Out Arpeggios a Little Bigger.(05:36) Visualizing the Arpeggio. (08:38) Moving From Scale to Arpeggio.(12:40)The Problem With the G-Sharp.(14:55) Using Shapes for the D Major.(16:29)Looking For Unique Ways to Approach Your Playing.(18:14)Fretboard Freedom Webinar.Links: He also specifies that visualizing arpeggio will make it easier for you to play it. ![]() In today’s episode of Steve Stine Guitar Podcasts, Steve shows how to play arpeggios and do it solo. Arpeggio helps musicians bridge the gap between strumming chords and running scales.īy using this technique in a solo, you can better match the passing chords in the progression to create a more meaningful story sound. Specifically, they’re the notes that make up the chords played separately. Arpeggio, also known as a "broken chord," denotes a chord in which each note is audibly heard separately. ![]()
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